Issyvoo

Gore Vidal’s opinions on others

• Main Street

  Lewis maintained that the idea for a novel whose subject would be a small midwestern market town came to him in 1905. I should suspect that it was always there. Village life was the first thing that he had known and, sooner or later, writers usually deal with their origins.

  Read the full piece at New York Review of Books Gore Vidal New York Review of Books 1992
• Babbitt

  Babbitt was intended to be the account of a single day in the life of the eponymous protagonist […] from the moment that he awakens with, significantly, a hangover to the end of the day, but by that time Lewis had decided that one day wasn’t going to be enough for him to do his stunts in, so the story continues another year or two, and a Mid-western Bloom was not to be.

  Read the full piece at New York Review of Books Gore Vidal New York Review of Books 1992
• A Time to be Born

  Powell sets the A Time (Magazine?) to be Born in that time not to be born, the rising war in the West […] I know of no one else who has got so well the essence of that first war-year before we all went away to the best years of no one’s life.

  Read the full piece at New York Review of Books Gore Vidal New York Review of Books 1987
• Dawn Powell

  …Powell was that unthinkable monster, a witty woman who felt no obligation to make a single, much less final, down payment on Love or The Family; she saw life with a bright Petronian neutrality, and every host at life’s feast was a potential Trimalchio to be sent up.

  Read the full piece at New York Review of Books Gore Vidal New York Review of Books 1987
• Henry Adams

  Henry James in a short story set in Washington describes a distinguished figure based on Henry Adams. As the character draws up a guest list for a party, he says, finally, wearily: Well, why not be vulgar? Let us ask the President.

  Read the full piece at New York Review of Books Gore Vidal New York Review of Books 1976
• The Dead Father

  I am not sure that my progress through all these dull little sentences has been entirely justified […] but there is no doubt that beneath the mannerisms, the infantile chic, the ill-digested culture of an alien world, Barthelme does have a talent for, of all things in this era, writing. Shall I quote an example? I think not. Meanwhile, Barthelme himself says, “I have trouble reading, in these days. I would rather drink, talk or listen to music…. I now listen to rock constantly.” Yes.

  Read the full piece at New York Review of Books Gore Vidal New York Review of Books 1976
• The Education of Henry Adams

  There was more than a degree of sourness in Henry’s old age; after all, he was living across the park from the White House where grandfather and great-grandfather had presided. As compensation, his beautiful memoir is filled with a good deal of mock humility, confessions of “failure,” and a somewhat overwrought irony.

  Read the full piece at New York Review of Books Gore Vidal New York Review of Books 1976
• Henry Adams

  Like all the Adamses the sons were voluminous writers and Henry was a writer of genius even though his brother Charles wrote rather better prose.

  Read the full piece at New York Review of Books Gore Vidal New York Review of Books 1976
• Williwaw

  Rereading Williwaw, I was struck by the coolness of the prose. There is nothing in excess. I am still impressed by that young writer’s control of his very small material.

  Read the full piece at The Paris Review Gore Vidal The Paris Review 1974
• A Meeting by the River

  I always admire Isherwood. I am not given to mysticism—to understate wildly, but he makes me see something of what he would see.

  Read the full piece at The Paris Review Gore Vidal The Paris Review 1974
• Myra Breckinridge

  I think part of the bewilderment American book-chat writers have with me is that they realize that there’s something strange going on that ought not to be going on—that Myra Breckinridge might just possibly be a work of the imagination.

  Read the full piece at The Paris Review Gore Vidal The Paris Review 1974
• Myra Breckinridge

  Myra began with a first sentence. I was so intrigued by that sentence that I had to go on. Who was she? What did she have to say? A lot, as it turned out. The unconscious mind certainly shaped that book.

  Read the full piece at The Paris Review Gore Vidal The Paris Review 1974
• Graham Greene

  I envy writers like Graham Greene who, year in and year out, do the same kind of novel to the delight of the same kind of reader. I couldn’t begin to do that sort of thing. I have thrown away a number of successful careers out of boredom.

  Read the full piece at The Paris Review Gore Vidal The Paris Review 1974
• Saul Bellow

  Of the American writers—well, I read Saul Bellow with admiration. He never quite pulls off a book for me, but he’s interesting—which is more than you can say for so many of the other Jewish Giants, carving their endless Mount Rushmores out of halvah.

  Read the full piece at The Paris Review Gore Vidal The Paris Review 1974
• Ernest Hemingway

  But Hemingway did put together an hypnotic style whose rhythm haunted other writers. I liked some of the travel things—Green Hills of Africa. But he never wrote a good novel.

  Read the full piece at The Paris Review Gore Vidal The Paris Review 1974
• Italo Calvino

  During the last quarter century Italo Calvino has advanced far beyond his American and English contemporaries. As they continue to look for the place where the spiders make their nests, Calvino has not only found that special place but learned how himself to make fantastic webs of prose to which all things adhere.

  Read the full piece at New York Review of Books Gore Vidal New York Review of Books 1974