If my summary seems to suggest that some elements in 1Q84 are trashy, so be it. Murakami is a great democrat when it comes to subject matter and plot development. Digressions on the St. Matthew Passion, The Brothers Karamazov, and Chekhov’s book on Sakhalin vie for air time with observations on, and citations from, Sonny and Cher and Harold Arlen.
Books 1Q84
- Author
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Haruki Murakami
- Year
- 2011
- Publisher
- Knopf
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As always, the experience is a bit like watching a Hollywood-influenced Japanese movie in a version that’s been dubbed by American actors. This time, sad to say, it also reminded me of stretches of the second season of Twin Peaks: familiar characters do familiar things, with the expected measure of weirdness, but David Lynch has squabbled with the network and left the show.
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… what happens in the story is important, but just as important is what does not happen. What does not happen, for large stretches of the book: anything exciting. In fact, for most of the last third of the book, the characters really don’t do much of any thing at all. Instead, we get detailed descriptions of people cooking, preparing to cook, and eating.
The Wind-Up Bird Chronicle
Hard-Boiled Wonderland and the End of the World
1Q84
The Sea, The Sea
The Dead Father
Creation
White Noise
One Hundred Years of Solitude